“DESIGN SCHAFFT KULTURELLE WERTE
– DIE PERFEKTE BALANCE VON
TECHNIK, PHILOSOPHIE UND POESIE.”
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“DESIGN CREATES CULTURAL VALUES
– THE PERFECT BALANCE OF
TECHNOLOGY, PHILOSOPHY AND POETRY.”
“TRADITIONEN, GEBRÄUCHE, ERFAHRUNGEN
– ALL DIES SPIEGELT SICH IN EINEM OBJEKT WIDER,
MAG ES NOCH SO MODERN ODER ZEITLOS ERSCHEINEN.”
\\
“TRADITIONS, CUSTOMS, EXPERIENCES
– ALL THIS IS REFLECTED IN AN OBJECT,
HOWEVER MODERN OR TIMELESS IT APPEARS TO BE.”
“KEIN ANSPRUCHSVOLLES DESIGN OHNE NACHHALTIGKEIT.”
\\
“NO SOPHISTICATED DESIGN WITHOUT SUSTAINABILITY.”
CARSTEN GOLLNICK WAS SELECTED AS ONE OF THE 50 MOST RENOWED GERMAN DESIGNERS.
“BEST OF GERMAN INTERIOR DESIGN” INTRODUCES THE READER TO THE 50 MOST RENOWED GERMAN DESIGNERS AND 50 LEADING GERMAN PRODUCERS OF HOME INTERIOR PRODUCTS.
„CARSTEN GOLLNICK GRÜNDETE 1997 SEIN STUDIO FÜR INDUSTRIAL DESIGN. SEITDEM ARBEITET ER ERFOLGREICH AN DER GESTALTERISCHEN VERBESSERUNG DER OBJEKTKULTUR. SEIN WICHTIGSTES ANLIEGEN: IM PRODUKT DIE BALANCE ZWISCHEN SZENARISCHER FUNKTIONALITÄT UND MATERIALBASIERTER ÄSTHETIK ZU FINDEN. ÜBER 80 INTERNATIONALE DESIGNPREISE, LANGJÄHRIGE FIRMENKOOPERATIONEN UND MUSEUMSAUFNAHMEN ZEUGEN VON DER ANERKENNUNG DIESER DESIGNAUFFASSUNG.
„MEIN ANTRIEB IST ES, RELEVANTE PRODUKTE MIT STARKEM CHARAKTER ZU ERSCHAFFEN. ES GEHT MIR UM ACHTSAME OBJEKTE UND KOLLEKTIONEN, DIE DIE ALLTAGSKULTUR DER MENSCHEN BEREICHERN.“
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“IN 1997 CARSTEN GOLLNICK FOUNDED HIS STUDIO FOR INDUSTRIAL DESIGN. SINCE THEN HE HAS BEEN WORKING SUCCESSFULLY ON THE AESTHETIC IMPROVEMENT OF OBJECT CULTURE. HIS MOST IMPORTABT CONCERN: TO FIND THE BALANCE IN A PRODUCT BETWEEN ITS SITUATIVE FUNCTIONALITY AND MATERIAL-BASED APPEAL. MORE THAN 80 INTERNATIONAL DESIGN AWARDS, LONG-TERM COLLABORATION WITH A RANGE OF COMPANIES AS WELL AS MUSEUM PIECES ACKNOWLEDGE THIS ATTITUDE TO DESIGN.
“MY MOTIVATION COMES FROM A DESIRE TO CREATE MEANINGFUL PRODUCTS WITH A STRONG CHARACTER.
I WANT TO PRODUCE RESPONSIVE OBJECTS AND COLLECTIONS WHICH WILL ENRICH THE USER’S EVERYDAY CULTURE.”
//
“IN 1997 CARSTEN GOLLNICK FOUNDED HIS STUDIO FOR INDUSTRIAL DESIGN. SINCE THEN HE HAS BEEN WORKING SUCCESSFULLY ON THE AESTHETIC IMPROVEMENT OF OBJECT CULTURE. HIS MOST IMPORTABT CONCERN: TO FIND THE BALANCE IN A PRODUCT BETWEEN ITS SITUATIVE FUNCTIONALITY AND MATERIAL-BASED APPEAL. MORE THAN 80 INTERNATIONAL DESIGN AWARDS, LONG-TERM COLLABORATION WITH A RANGE OF COMPANIES AS WELL AS MUSEUM PIECES ACKNOWLEDGE THIS ATTITUDE TO DESIGN.
I WANT TO PRODUCE RESPONSIVE OBJECTS AND COLLECTIONS WHICH WILL ENRICH THE USER’S EVERYDAY CULTURE.”
